bigdummy wrote:Also, what is krieg when you have mismatched weapons (which is fairly rare in the fechtbuchs) like a bill vs. a short sword say.
bigdummy wrote:I often felt the same way when I was in a bar and someone developed an instant dislike for me and armed themselves with a pool cue, a bottle, an ash-tray, or a knife. Experience has taught me that voiding and withdrawal are not always possible, unfortunately.
Too true.
The fechtbuchs cover very little cross-weapon fighting that I have seen, evenly matched or otherwise.
The question is a technical one though. During the slaughter of the sword-armed gentleman by the luckier one with the spear, would the spearman be in krieg while the swordsman remains outside? Would they both be in krieg when and only when the sword touched the spear? Etc.
BD
Steven H wrote:Hmmm,
I define the range as binding range.
bigdummy wrote:Also, what is krieg when you have mismatched weapons (which is fairly rare in the fechtbuchs) like a bill vs. a short sword say.
13 Verso
Text on the War
When the war roams above, below he will be shamed.
[14 recto]
Der Krieg, das sein die Winden, und die arbait die daraus geet, mit dem / ort zu den vir plossenn, und den trieb also, wen du mit dem zornhau, / einhauest, Als pald er denn versetzt, so far vol auf mit den armen, / unnd wind im denn ort am schwert oben ein zur obern plos, seiner / lincken seiten, Setzt er denn den obern stich ab, so pleib also steenn in den / winden mit dem gehultz vor deynem haupt, und las den ort nider sinckn / zu seiner lincken seitenn, Volgt err den mit der versatzung deinem schwert / nach, so such mit dainem ort die undern plos, seiner rechtenn seiten, Volgt / er dan furpas mit der versatzung dainem schwert nach, So var auff / mit dem schwert, auf dein lincke seiten, und heng im den ort oben ein / Zur obern plos, seiner rechten seyten, also wirt er mit dem krigk oben / und niden beschempt, ist das du in anders recht treybst,
The War is the Winding and the work to the four openings with the point that comes from it, and deploy this thus: when you strike with the Wrath Strike, as soon as he displaces then drive full forward with your arms and immediately wind the point high on his sword to the upper opening on his left side. If he then displaces the high stab, then stay standing in the wind with your hilt in front of your head, and let your point sink below to your left side, if he follows after your sword in displacement, then drive on to his left side with the sword and send the point up to his upper right opening, thus will he be shamed with the war high and low, in that you drive properly from one to the other.
Steven H wrote:Historically where does the definition of Krieg come from?
I know Meyer describes ranges - zufechten, krieg, abzug.
But who else?
-Steven
Steven H wrote:Historically where does the definition of Krieg come from?
I know Meyer describes ranges - zufechten, krieg, abzug.
Richard Strey wrote:Steven,
as I see it, "Krieg" isn't a particular play from the Wrath Cut. It is -as the example Paul B gave above- what you do when winding and the attacks that develop out of this. In many medieval fencing texts, concepts are described not by talking about the concept itself, but by stating several examples. Here, the Wrath Cut example is the most obvious: It doesn't mean "Krieg is when you come from the Wrath Cut and bind...", but rather "Krieg is *for example* when you come from a Wrath Cut and bind...". Mostly you'll enter Krieg via someone doing a Wrath Cut, but really, it doesn't matter. The *bind* matters. Krieg is fighting from the bind.
And thus, it describes a tactical situation, as well as a range.
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